- #Portrait professional studio how to#
- #Portrait professional studio skin#
- #Portrait professional studio software#
#Portrait professional studio skin#
Anthropics says that new algorithms “regenerate” skin texture in areas where large blemishes are removed and that does seem to be the case. Simply put, the skin looked more natural in the new version. I applied version 10 to a couple of the portraits that I have retouched with version 9, and there is even more going on beneath the surface than is obvious from the interface or the presence of new controls. This is still a process best done outside of Portrait Professional. However, I’m still awaiting the day when there is a slider to eliminate flyaway hairs against the background. There is even a new control to restore the shape of eyeglasses if the face sculpting controls have distorted them. The eye widening control can now operate on each eye independently and a new control to minimize crossed-eyes is available. I didn’t go through each category in detail to pinpoint every change, but I did notice that there are a number of new controls. There are now over 200 sliders to give you control over nearly all aspects of face and hair retouching. You can still create and save your own presets and I was happy to see that version 10 automatically found and listed my custom presets from version 9. And a control that I found lacking in the previous version, the ability to enlarge the eyes, is now available as a preset. Yet another automatically removes a double chin. Another new preset gives you the ability to enhance the skin only if you don’t want to use any of the face sculpting tools. These give you further options to instantly apply a particular look such as Man 35–45 Natural or Woman 50+ Glamorous. Where version 9 included 20 beautification presets, version 10 includes 30. And I noticed on some portraits I tested of older children that their freckles weren’t entirely removed, something that previous versions routinely did and that I ended up painting back in.Ī major new addition is a greatly enhanced set of presets. No face sculpting is used in fact, many of the face sculpting controls are not visible in Child mode, so chubby cheeks remain chubby cheeks.
Children’s skin is already quite smooth generally and Portrait Professional now uses a very light touch to improve it further. Previous versions of Portrait Professional were too heavy handed with children, requiring me to back off the automatic adjustments a considerable amount.
#Portrait professional studio software#
There is a checkbox to inform the software that you are interested in retouching the portrait of a child. The first is visible on the opening screen. Unless you decide to make extensive adjustments to the automatic enhancements, it will take you far longer to read this review than to complete the procedure.īut under the surface, Anthropics has added new features and enhanced existing ones that will make version 10 a “must have” for many studios.
You still work your way through seven basic steps to retouch a portrait: Open an image, select the gender of the subject, tell the software roughly where the main facial features are, adjust the rough outlines around the main features more precisely, let the software automatically enhance the image, make any adjustments to the enhancement you feel warranted, and save the image. And the new version adds Undo and Redo buttons on the main interface screen. This saves a mouse click to close the current panel and time scrolling up and down the palette to view all of the sliders you want to use. For example, when you open a panel for one set of controls, any other panel you may have opened closes. There are some minor changes to the interface to further streamline the workflow, but nothing drastic. Opening version 10 and seeing the same familiar interface set my mind at ease about having to spend time relearning the program. So I’m always interested to see what the team at Anthropics has added in each new version, and a little apprehensive too, hoping that they haven’t made any drastic changes that would require me to relearn the program or interface.
#Portrait professional studio how to#
Yes, I’ve taught myself in Photoshop how to do all the things that Portrait Professional does, but for the vast majority of my work when a photo contains people, I run the image through Portrait Professional to take advantage of its quick automation. First a disclaimer: I have used Portrait Professional for years and I love it.
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